{"id":13990,"date":"2022-09-29T13:56:43","date_gmt":"2022-09-29T10:56:43","guid":{"rendered":"https:\/\/selectednews.info\/ru\/blonde-true-story-marilyn-monroe-real-life-and-relationships-explained\/"},"modified":"2022-09-29T13:56:44","modified_gmt":"2022-09-29T10:56:44","slug":"blonde-true-story-marilyn-monroe-real-life-and-relationships-explained","status":"publish","type":"post","link":"https:\/\/selectednews.info\/ru\/blonde-true-story-marilyn-monroe-real-life-and-relationships-explained\/","title":{"rendered":"‘Blonde’ True Story — Marilyn Monroe Real Life and Relationships Explained"},"content":{"rendered":"

Spoilers below.Imitation, a flattery, should not always be met with ire. Sometimes mimicry is powerful, even transcendent; this is occasionally the case with Ana de Armas\u2019 performance as Marilyn Monroe in Andrew Dominik\u2019s much-derided new film, Blonde. But it is in this power that a certain responsibility resides in the hands of the imitator\u2014and, in this case, the one directing the imitator. To approximate a real person is to approach a sacred image; to twist and warp it is a risk. To twist and warp it without empathy or precision? That\u2019s negligence. This is where the defense of Blonde as a \u201cfictionalization\u201d of Monroe\u2019s life falls apart. The film, based on a very-much-fictional novel by Joyce Carol Oates, does not purport to be a biopic. Instead it evokes the shroud of a tall tale, in order to justify whatever choices Dominik deemed appropriate for a singular interpretation of a singular star. Blonde\u2019s status as fiction, by that measure, necessitates wild deviations and omissions from Monroe\u2019s real life: The film includes multiple graphic scenes of rape, abortion, and oral sex; CGI close-ups of a talking fetus and a cervix pulled open via speculum; the gurgling sounds of a young girl nearly drowned in a bathtub; and the inclusion of the words \u201cbaby,\u201d \u201cdaddy,\u201d and \u201cslut\u201d in claustrophobic proximity. True, to deny that Monroe was a tragic figure would be to conjure another fiction. The Gentlemen Prefer Blondes star\u2019s story is uniquely, oppressively sad\u2014many of the most widely recognized portions of her biography are painful\u2014and to ignore this in a film would be similarly negligent. But to deny Monroe most, if not all, of her joy, her wit, her strength\u2014not to mention the scraps of autonomy she wrested out of a white-knuckled industry\u2014is an offense to Monroe and to the woman playing her. De Armas does the best she can to embody a real human being in Blonde\u2019s more introspective moments: When given the opportunity, she soars within the film\u2019s spellbinding cinematography and uncanny replications of real-life Monroe photographs. But there are too many scenes in which she\u2019s asked only to shrivel and shriek and bleed and vomit as she\u2019s dragged and batted between set pieces, and so the image audiences are left with is one of Monroe as little more than a doll. How horrific, to be remembered only for one\u2019s darkest moments, not a pinprick of hope cast over your corpse.Alas, Blonde is fiction. And fictionalization is fine, even effective, when audiences have the tools to discern between reality and fabrication. But all too often, audiences lack these tools; and in the case of Monroe in particular, the details of her life and death are already the subject of decades-spanning debate. Few, especially those of younger generations, might know the real Monroe beyond Andy Warhol\u2019s famous portrait, or perhaps her much-discussed performance of \u201cHappy Birthday, Mr. President.\u201d (Especially after Kim Kardashian wore the late star\u2019s dress to the Met Gala.) Therefore, an audience\u2019s question when watching Blonde might not be, \u201cWhat directorial goals necessitated a narrative change from real-life events?\u201d but instead, \u201cIs this what really happened?\u201d Left to right: Ana de Armas as Marilyn Monroe; the real Marilyn Monroe reading. Netflix\/Getty ImagesFictionalization must be intentional; it cannot be used as rationale to exercise complete creative freedom over a real person\u2019s life. Dominik has attempted multiple defenses of his treatment of Monroe in Blonde: In a viral interview with Sight and Sound writer Christina Newland, he argued the film represents \u201cthe feeling of being inside somebody\u2019s anxious thought process,\u201d and that it\u2019s \u201csupposed to leave you shaking.\u201d But perhaps most telling is when he says, \u201cShe killed herself. Now, to me, that\u2019s the most important thing. It\u2019s not the rest. It\u2019s not the moments of strength.\u201d (In a separate interview with Vanity Fair, he says, \u201cThere\u2019s nothing sentimental here. Seeing the raw trauma in the film humanizes her.\u201d)But then he seems to contradict his own point (that witnessing Monroe\u2019s trauma\u2014and only her trauma\u2014is \u201cimportant\u201d) by adding, \u201cPeople who make films tend to think they\u2019re incredibly important. But it\u2019s just a movie about Marilyn Monroe.\u201d This is such a nihilistic perspective on the treatment of a person\u2019s actual life events that it seems manufactured to elicit rage. (And, on Twitter, it certainly did.) I have no issue with the provocative nature of Blonde, only in how it eschews humanity to be provocative. Perhaps critic Bilge Ebiri was correct when he wrote, in his Vulture review of Blonde, that\u2014because the film is fictional\u2014\u201cit\u2019d be hard to come up with any biographic timeline from it. (And if one did, it\u2019d likely be incorrect.)\u201d Most accounts of Monroe\u2019s life are incomplete, if not outright speculative. But it seems crass, in the wake of Blonde\u2019s release on Netflix, not to address some of the questions about the real-life Monroe that a startled audience might be left with. That seems, at the very least, a dignity she was not afforded in the film. Below, some of Blonde\u2019s most pertinent plot questions\u2014and how they compare to the real, dazzling Norma Jeane Mortenson\u2019s story. Was Marilyn Monroe\u2019s mother abusive?The child known as Norma Jeane Mortenson was born to Gladys Pearl Baker n\u00e8e Monroe in 1926, in Los Angeles, California. She never knew her father, whom DNA testing later revealed to be the Consolidated Film Industries employee Charles Stanley Gifford, whom Baker had a relationship with while working as a film negative cutter. Through much of her young life, Monroe lived in foster homes and orphanages, particularly after Baker suffered a mental break in 1934, was diagnosed with paranoid schizophrenia, and was committed to a state hospital. (The circumstances around this breakdown were complex, but it seems likely that the loss of Baker\u2019s son and grandfather in quick succession contributed to her mental state.) There is no concrete evidence that Baker abused Monroe in the manner depicted in the film (attempted drowning, etc.), but it is true that Baker was unstable and that her relationship with Monroe was forever one tinged with pain and abandonment. It has also been reported that, during her time staying with family friends and foster parents Grace Goddard and Erwin \u201cDoc\u201d Goddard, a young Monroe was sexually abused. Film became Monroe\u2019s escape, as she told Life in 1962: \u201cSome of my foster families used to send me to the movies to get me out of the house, and there I\u2019d sit all day and way into the night.\u201d Was Marilyn Monroe in a threesome?In Blonde, Monroe engages in a threesome with Charlie \u201cCass\u201d Chaplin Jr. and Edward \u201cEddy\u201d G. Robinson Jr., a group which refers to themselves as \u201cthe Geminis.\u201d Although these men both existed in Monroe\u2019s real circle, the inclusion in Blonde serves mainly to elicit lurid fascination, and there\u2019s no evidence Monroe participated in a similar threesome in reality. A brief affair between Chaplin Jr. and Monroe was rumored and discussed in both the biography Goddess: The Secret Lives of Marilyn Monroe and Chaplin Jr.\u2019s own book, My Father, Charlie Chaplin, but there is no evidence that Monroe\u2019s supposed relationship with Chaplin Jr. overlapped with a romance with Robinson Jr., and certainly not that the three participated in an affair together. (Nor was an alleged romance with Robinson Jr. ever confirmed.) Left to right: Adrien Brody and Ana de Armas as Arthur Miller and Marilyn Monroe; the real Miller and Monroe. Netflix\/Getty ImagesDid Marilyn Monroe have miscarriages?Monroe\u2019s troubled attempts to become a mother are well-documented, and it is true that she experienced multiple miscarriages and an ectopic pregnancy, likely due to her endometriosis. However, the miscarriage depicted in Blonde\u2014in which she stumbles on the beach, falls on her stomach, and miscarries\u2014is fictional. Did Marilyn Monroe have abortions?There is no confirmed report that Monroe had an abortion, let alone two abortions forced upon the non-consenting actress, as depicted in Blonde. It is, of course, very possible that Monroe might have actually chosen to undergo abortion procedures that went unreported; these procedures were commonplace enough in 1920-50s Hollywood that an anonymous actress referred to them as \u201cour birth control,\u201d per Vanity Fair. During these years, Hollywood pregnancies\u2014especially those experienced by bombshell actresses\u2014were considered a detriment to studio profits, and therefore studios introduced \u201cmorality clauses\u201d into their contracts with these actresses. The clauses meant that pregnancies would violate studio policy, which in turn led to abortion becoming practically commonplace in Hollywood\u2019s most storied halls. As VF reported, \u201cIn the heyday of the Hollywood studio system, women were at their most desirable and their most powerful\u2014but it still didn\u2019t afford them the right to choose when it came to governing their bodies. Hollywood\u2019s production codes extended to women\u2019s reproduction.\u201d It\u2019s a shame that what was (and is) such a pertinent women\u2019s rights issue in Hollywood is examined with such little nuance in Blonde.Did Marilyn Monroe\u2019s husband, Joe DiMaggio, abuse her?This is perhaps one of the areas where Blonde adheres most to fact, in that numerous reports confirm Monroe\u2019s second husband, the baseball star Joe DiMaggio, was jealous and abusive. He disliked his wife\u2019s image as a sex symbol for public consumption, but he also expected her to stop working and become a full-time housewife. According to Monroe\u2019s friend and fellow actor Brad Dexter, she told him, \u201c[DiMaggio] doesn\u2019t want to know about my business. He doesn\u2019t want to know about my work as an actress. He doesn\u2019t want me to associate with any of my friends. He wants to cut me off completely from my whole world of motion pictures, friends, and creative people that I know.»When she participated in a famous publicity stunt for her film The Seven Year Itch\u2014in which Monroe stood above a subway grate for a several-hour photo shoot, attracting an audience of thousands\u2014DiMaggio was livid, and within months the couple divorced.Left to right: Bobby Cannavale and Ana de Armas as Joe DiMaggio and Marilyn Monroe; Monroe and DiMaggio in real life.Netflix\/Getty ImagesWhat about her third husband, Arthur Miller?Monroe met the famous playwright Arthur Miller in the early 1950s, but their relationship only became serious after Monroe\u2019s divorce from DiMaggio was final and Miller had separated from his own wife. At the time, Miller was under investigation from the FBI for supposed ties to communism; he had been a vocal opponent of the Vietnam War as well as a supporter of civil rights. A 1951 FBI report identified Miller as an informant \u201cunder Community Party discipline\u201d in the 1930s, according to The Associated Press, and a Party member in the 1940s. Miller denied this report, saying that in 1940 and again in 1947 he was \u201csufficiently close to Communist Party activities so that someone might honestly have thought that I had become a member.\u201dRegardless of the extent of Miller\u2019s involvement, the attention\u2014during the height of McCarthyism\u2014led studios to urge Monroe to end her relationship with Miller. She refused, choosing instead to support Miller (an action that \u201chelped to keep him out of prison,\u201d per The Guardian), and so the FBI opened a file on her as well. The bureau ultimately found that \u201cthe subject\u2019s views are very positively and concisely leftist; however, if she is being actively used by the Communist Party, it is not general knowledge among those working with the movement in Los Angeles.\u201d The couple had a Jewish wedding ceremony, and Monroe converted to Judaism. They were captivated with each other\u2019s minds; The Guardian reports that Miller saw Monroe \u201cas a revolutionary idealist.\u201dLittle to none of this is depicted in Blonde. What is depicted is Miller\u2019s fascination with Monroe as a muse, her miscarriage\u2014or at least a version of it\u2014and his co-opting of her words and likeness for his writing. Did Marilyn Monroe call men \u201cdaddy\u201d?Perhaps one of the most cringe-inducing narrative choices Blonde makes is the decision to have De Armas\u2019 Monroe call every man in her life \u201cdaddy,\u201d an on-the-nose allusion to her daddy issues. There is some reported truth to this depiction, however; the book Joe DiMaggio: The Hero\u2019s Life states that Monroe called her first husband, James Dougherty, \u201cDaddy,\u201d and that DiMaggio signed his letters to Monroe as \u201cPa.\u201d In Miller\u2019s obituary, The Guardian similarly reports Monroe called her second husband \u201cPapa.\u201dBut Blonde extends this trend to other men, including her talent agent, suggesting that her childlike helplessness diminished her in the presence of any male in her orbit. Perhaps this choice would not have seemed so egregious, had Blonde depicted more than a couple incidents of her toe-to-toe sparring with studios, and had Blonde not entirely conjured the story of Chaplin Jr. posing as Monroe\u2019s absent father. Did Marilyn Monroe really receive letters from a man posing as her father?In Blonde, Monroe receives letters throughout her career from her \u201cTearful Father,\u201d claiming that he is watching from afar and that they will finally meet soon. Father and daughter never do meet, however, and it\u2019s eventually revealed that Chaplin Jr. has been writing these letters to Monroe since the Geminis\u2019s breakup. In a posthumous confession, he admits to Monroe that it was all a sick joke: There was never any \u201cTearful Father.\u201d A distraught Monroe overdoses soon after.There is no evidence that anything similar ever took place in Monroe\u2019s real life. She was certainly plagued by abandonment issues\u2014and so-called daddy issues\u2014but Blonde\u2019s treatment of these insecurities (both in the book and in the film) is particularly cruel. Left to right: Ana de Armas as Marilyn Monroe; the real Marilyn Monroe.Netflix\/Getty ImagesDid Marilyn Monroe have a sexual relationship with President John F. Kennedy?The exact nature of Monroe and President John F. Kennedy\u2019s relationship remains the subject of feverish debate to this day. (Some conspiracy theorists posit that the actress\u2019s overdose was orchestrated by the Kennedy family as a cover-up for her involvement with JFK; his brother, Robert; or both). This article won\u2019t concern itself with all the details of these allegations, but suffice to say that plenty believed the two had a romantic relationship. And yet the likelihood that it played out in such a demeaning manner as depicted in Blonde\u2014Monroe is referred to as a \u201cdirty slut\u201d while she performs forced oral sex\u2014is low. Although such an encounter was never confirmed outright, the biographer Donald Spoto wrote in Marilyn Monroe: The Biography that the couple shared one weekend together at Bing Crosby\u2019s Palm Springs home in March 1962, and that Monroe had no desire to continue the relationship beyond that. As Susan Strasberg\u2014friend of Monroe\u2019s and daughter of her acting coach, Lee Strasberg\u2014said, according to Spoto, \u201cNot in her worst nightmare would Marilyn have wanted to be with JFK on any permanent basis. It was okay for one night to sleep with a charismatic president\u2014and she loved the secrecy and drama of it. But he certainly wasn\u2019t the kind of man she wanted for life, and she was very clear to us about this.\u201d Did Marilyn Monroe abuse pills?This much, as depicted in Blonde, is true: During the course of her career, Monroe became addicted to prescription drugs, which she often took with alcohol. (She struggled with numerous ailments, including insomnia, anxiety, endometriosis, gallstones and depression.) She overdosed multiple times in her life, including the final overdose that led to her death. How did Marilyn Monroe die? On August 5, 1962, Monroe was discovered unconscious in her Brentwood, Los Angeles, bedroom. She was 36, found with her hand outstretched to her telephone and multiple empty prescription bottles next to her bed. Her death was ruled a probable suicide due to the number of drugs discovered in her system. What of Marilyn Monroe\u2019s life is left out of Blonde?So much. We barely get to watch her impressive career play out, nor her devotion to the craft of acting\u2014only the moments in which she decries \u201cMarilyn Monroe\u201d as a fiction. (The irony speaks for itself.) We never see her first marriage to James Dougherty at the age of 16, nor her relationships with numerous friends and co-stars, particularly female ones including actress Jane Russell and mentor Natasha Lytess. Blonde includes no mention of the film production company Monroe founded in 1954, nor does it acknowledge the ways in which Monroe crafted and executed her own image. It depicts her mental health issues\u2014and eventual suicide\u2014as \u201cthe most important thing\u201d about her, as Dominik revealed in interviews, therefore condemning her as the eternal victim. No one can deny Monroe was a victim, at numerous times and in numerous ways. But to suggest she was never anything more is itself a falsehood. \u201cI think that, when you are famous, every weakness is exaggerated,\u201d Monroe told Life, mere days before her death. \u201cThis industry should behave like a mother whose child has just run out in front of a car. But instead of clasping the child to them, they start punishing the child.\u201d Blonde is the punishment of a negligent parent, dragging Monroe\u2019s image through all her real-life horrors (and several fabricated ones) in the name of an abstract truth Dominik seeks but never realizes in his film. \u201cWoman, traumatized\u201d is far from a new genre, but nor is it one automatically condemned to mistreat its subjects. Monroe, as in life, deserved a kinder touch. But as Marilyn: The Passion and the Paradox author Lois Banner wrote, \u201cIn the case of Marilyn, people believe what they want to believe.\u201d Lauren Puckett-Pope is an associate editor at ELLE, where she covers news and culture.
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Spoilers below.Imitation, a flattery, should not always be met with ire. Sometimes mimicry is powerful, even transcendent; this is occasionally the case with Ana de Armas\u2019 performance as Marilyn Monroe in Andrew Dominik\u2019s much-derided new film, Blonde. But it is in this power that a certain responsibility resides in the hands of the imitator\u2014and, in […]<\/p>\n","protected":false},"author":2,"featured_media":13991,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-13990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti-shou-biznesa"],"yoast_head":"\n'Blonde' True Story - Marilyn Monroe Real Life and Relationships Explained - Selected News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/selectednews.info\/ru\/blonde-true-story-marilyn-monroe-real-life-and-relationships-explained\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Blonde' True Story - Marilyn Monroe Real Life and Relationships Explained - Selected News\" \/>\n<meta property=\"og:description\" content=\"Spoilers below.Imitation, a flattery, should not always be met with ire. Sometimes mimicry is powerful, even transcendent; this is occasionally the case with Ana de Armas\u2019 performance as Marilyn Monroe in Andrew Dominik\u2019s much-derided new film, Blonde. 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