{"id":14553,"date":"2022-10-29T03:59:14","date_gmt":"2022-10-29T00:59:14","guid":{"rendered":"https:\/\/selectednews.info\/ru\/all-taylor-swifts-albums-eras-and-aesthetics-explained\/"},"modified":"2022-10-29T03:59:15","modified_gmt":"2022-10-29T00:59:15","slug":"all-taylor-swifts-albums-eras-and-aesthetics-explained","status":"publish","type":"post","link":"https:\/\/selectednews.info\/ru\/all-taylor-swifts-albums-eras-and-aesthetics-explained\/","title":{"rendered":"All Taylor Swift&#8217;s Albums&#8217; Eras and Aesthetics, Explained"},"content":{"rendered":"<p>When did Taylor Swift become Taylor Swift? It\u2019s not an easy question to answer. Swift is the consummate skin-shedder, forever toeing the line between self-expression and self-creation. In this sense, she\u2019s also the consummate millennial: taught from youth to craft a persona, only for human emotion to blow it up. The difference is Swift, unlike so many her age, seems to thrive on this cycle. As much brand as flesh and blood, as much an inventor as historian (and, lately, re-inventor), Swift typically understands how she\u2019ll be perceived better than those tasked with perception. These traits make her a fascinating, complex celebrity, but an undoubtedly masterful storyteller. Swift is not inauthentic, but neither is it difficult to notice her maneuvers behind the scenes. Even her frequent use of \u201cEaster eggs\u201d in lyrics, music videos, album artwork and her own wardrobe invite fans to pay witness not just to her genius, but to the lengths she\u2019s gone to prove it. The trick is she wants us to feel in on the not-so-secret secret. As she sings in a track off her newest album, Midnights, \u201cNo one wanted to play with me as a little kid \/ So I\u2019ve been scheming like a criminal ever since \/ To make them love me and make it seem effortless \/ This is the first time I\u2019ve felt the need to confess.\u201dIt\u2019s worth exploring, then, how the course Swift has charted both shaped and stifled this love. Each of the singer\u2019s 10 main studio albums have arrived packaged with their own \u201caesthetic,\u201d as many of her fans are eager to dissect. (They refer to the periods surrounding her albums as their own \u201ceras.\u201d) With each release, Swift morphed and evolved, retooling herself while wrestling to reveal more truth.  So when did Swift the human become Swift the icon? Or, perhaps, when did Swift realize she could be both? Different critics and fans will tell you different stories: that she found herself during the launch of her first solo tour; that she peaked years ago; that she\u2019s at her most artful today; that she didn\u2019t have true control until she started reclaiming her old songs. None or all of these theories could be true. Below, we\u2019ll examine each of the artist\u2019s so-called \u201ceras,\u201d keeping in mind the only obvious truth: Swift is just happy we\u2019re paying attention. Getty Images\/Leah RomeroTaylor Swift (2006)In the beginning, the teenage Pennsylvania native known as Taylor Swift was a country darling through and through. Her self-titled debut album, featuring soon-to-be hits including the wistful \u201cTeardrops On My Guitar\u201d and \u201cTim McGraw,\u201d was buoyed by the Nashville twang she worshipped growing up\u2014and adopted to fit in. Appropriately, she donned the cowboy boots to match.Those early years saw Swift transition from patronized underdog to opening act (she performed ahead of stars including George Strait and Brad Paisley), cementing her ingenue status but coloring within the lines of country music marketing. Still, she was smart enough to lean into an image that heralded her as both the Next Big Thing and the girl next door, enticing but approachable. Swift opted for prom-like gowns on the red carpet and boho-lite sundresses for photo shoots and concert appearances, but her unrestrained curls and winking charm spoke of a talent that would soon eclipse the constraints of her genre. Major Songs: \u201cTeardrops On My Guitar\u201d \u201cShould\u2019ve Said No\u201d \u201cPicture to Burn\u201d \u201cOur Song\u201d \u201cTim McGraw\u201dMajor Moments: Made Nashville her home baseSigned with Big Machine RecordsBecame youngest person to win Nashville Songwriters\u2019 Association Songwriter\/Artist of the Year awardDated Joe Jonas Getty Images\/Leah RomeroFearless (2008)Finally, headliner status: With the release of Swift\u2019s sophomore album, the true craze began in earnest. Outfitted in an array of mini dresses and princess gowns, schoolgirl skirts and sparkles, Swift launched her first solo tour with Fearless, a bolder, more confident sophomore album that was no less romantic than her debut. Armed with hits including \u201cLove Story\u201d and \u201cYou Belong With Me,\u201d she began to switch her cowboy boots out for heels, but her lucky number 13 remained painted on the back of her hand. Although technically a country album, Fearless marked Swift\u2019s most obvious first steps toward pop crossover as she earned fans (and play time) outside of the main country stations. The era also featured Swift\u2019s earliest forays into the celebrity drama that would chase\u2014and, at times, consume\u2014much of her career. During the singer\u2019s acceptance speech at the 2009 MTV Video Music Awards, Kanye West stepped onto the stage to interrupt, arguing that Beyonc\u00e9 was more deserving of the win. (Swift and West would go on to reconcile, only to fall out again years later.) The bonds between Swift\u2019s lyrics and her personal relationships snapped into sharp focus as former romantic partners spoke out about her\u2014either directly or indirectly\u2014following their breakups. Tabloids capitalized on the fascination to (mostly) disappointing results, but ultimately the media blitz worked in the star\u2019s favor: She was no longer just an artist but a personality.Major Songs:\u201cLove Story\u201d\u201cYou Belong With Me\u201d\u201cFifteen\u201d\u201cFearless\u201d\u201cForever &amp; Always\u201d Major Moments:Released the first country songs to top Billboard\u2019s Pop Songs and Radio Songs chartsLaunched the Fearless TourWon her first Grammys, including Album of the YearHosted Saturday Night Live for the first timeWas interrupted by Kanye West during her MTV VMAs speech, sparking years-long tension between the twoStarred in the film Valentine\u2019s DayDated Taylor Lautner and John MayerFirst became close friends with Selena Gomez Getty Images\/Leah RomeroSpeak Now (2010)Swift learned fast that if she wanted to maintain any control over her narrative, she\u2019d need to write it herself, in every possible sense. She\u2019d already established herself as an accomplished young lyricist with an invaluable skill: She could distill hyper-specific emotions into a product, something digestible, cathartic and\u2014most importantly\u2014addicting. Those who loved Swift, then and now, always wanted more. In 2010, she silenced the naysayers who argued the true credit was due to her co-collaborators; with Speak Now, there could be no question whose pen had conjured this much passion. The album was the first Swift wrote on her own, one she also co-produced. The tracks maintained her affable femininity\u2014the giggle near the end of the titular track \u201cSpeak Now\u201d stands out\u2014while affirming her aptitude for excavating her own heartbreak. \u201cBack to December\u201d and \u201cDear John\u201d were clearly written about her ex-boyfriends Lautner and Mayer, and the intimacy of the details within each song brought fans closer in what was already an intense parasocial relationship. Her concert sets took on a new performance quality, her line deliveries more dramatic, her stages exploding with fireworks. When meeting fans or holding hands on the street with new beaus Jake Gyllenhaal and Conor Kennedy, Swift dressed in a preppier mix of oxford heels, beanies, collared dresses and cable-knit sweaters, while her stage wardrobe retained its fairytale sweetness with a hint of the 1989-era edge to come. Perhaps most importantly, she slashed her bangs into their now-signature blunt style. With every move, Swift was inching closer to the pop princess she\u2019d become. Major Songs:\u201cMine\u201d\u201cBack to December\u201d\u201cMean\u201d\u201cThe Story Of Us\u201d\u201cDear John\u201d\u201cBetter Than Revenge\u201dMajor Moments:Launched the Speak Now World TourWon multiple Grammys and was nominated for first Golden Globe Dated Jake Gyllenhaal and Conor Kennedy Getty Images\/Leah RomeroRed (2012)Widely considered one of Swift\u2019s best records and a fan-favorite to the point of fervent debate, Red was so much more than a breakup album, and it inspired an era with implications beyond Swift\u2019s personal life. With the first drum beats of the opener \u201cState of Grace,\u201d the singer moved with clarity of intention: Now, more than ever, she knew her brand. And it was equally clear how much fighting Swift was doing behind closed doors for the sake of that brand, taking bigger swings at the wall between country and pop with hits like \u201cI Knew You Were Trouble,\u201d \u201c22,\u201d and \u201cWe Are Never Ever Getting Back Together,\u201d which grew into teenage anthems across the country (and inspired some memorable memes).As Pitchfork wrote in its (eventual) 9.0 rating of the album, \u201cRed is also the first record where Swift directly echoes [Joni] Mitchell\u2019s writing, a once potential and hazy inspiration now coming into view.\u201d Swift\u2019s lyrics are at their smartest, most poignant here, making the standout tracks not \u201cI Knew You Were Trouble\u201d or \u201c22\u201d but the sleeper hits \u201cBegin Again\u201d and \u201cAll Too Well,\u201d the latter of which Swift re-recorded in 10-minute form nearly a decade after its initial release. And away from the studio Swift was cresting into true superstar status, selling out stadiums and dating heartthrobs. Swift\u2019s always been an autumn girl at heart, and the Red era was marked by her knit scarves, raincoats, and saddle-bag purses, as well as her concert attire of high-waisted shorts, striped shirts, and ever-present sequins. A touch of scarlet accompanied her wherever she went, whether in her wardrobe or on her lips. Major Songs:\u201cI Knew You Were Trouble.\u201d\u201cAll Too Well\u201d\u201c22\u201d\u201cWe Are Never Ever Getting Back Together\u201d\u201cBegin Again\u201d\u201cEverything Has Changed\u201dMajor Moments:Launched the Red TourEarned her first Billboard Hot 100 No. 1 single in the U.S. Dated Harry StylesFeuded with fellow star Katy Perry, the basis of which would inspire the 1989 hit \u201cBad Blood.\u201d (The two are now friends.) Getty Images\/Leah Romero1989 (2014)The 1989 era is perhaps one of Swift\u2019s most memorable, and that\u2019s no accident. The star\u2019s face was everywhere, particularly on Instagram, where her parties and paparazzi shots with members of the so-called Squad became the stuff of legend. She moved to New York City; swapped her look from schoolgirl to uptown girl; replaced the oxfords with pumps and the sweaters with coordinating crop tops and skirts. A gaggle of models and celebrities became her near-constant companions, including Selena Gomez, Camila Cabello, Karlie Kloss, Hailee Steinfeld, Kendall Jenner, Cara Delevingne and Gigi Hadid. With the introduction of her first-ever true pop album, Swift became not just a tabloid feature but a fixation. Commentators couldn\u2019t seem to agree if she was too skinny or not skinny enough, or if her infamous shocked face was cute or annoying. Her star-packed video for \u201cBad Blood\u201d spurred rampant theorizing about its not-so-subtle jabs at Katy Perry, and her messy break-up with DJ and producer Calvin Harris was extensively covered after the two wiped any evidence of their joint dates and vacations from social media. After Swift was spotted kissing actor Tom Hiddleston only days later, the drama reached a fever pitch with one fiery tweet from Harris: \u201cI know you\u2019re off tour, and you need someone new to try and bury like Katy ETC, but I\u2019m not that guy, sorry. I won\u2019t allow it.\u201dOf course, then Kanye West and his then-wife Kim Kardashian got involved. After the release of West\u2019s controversial \u201cFamous\u201d music video, which featured a wax figure of a naked Swift and the lyrics \u201cI made that bitch famous\u201d\u2014something Swift was apparently none too pleased about\u2014Kardashian released Snapchat videos depicting a phone conversation between West and Swift. In these videos, the singer allegedly gave approval to the song, though Swift soon hit back, posting on social media: \u201cWhere is the video of Kanye telling me he was going to call me \u2018that bitch\u2019 in his song? It doesn\u2019t exist because it never happened.\u201dThe 1989 era will forever be remembered for its flying-too-close-to-the-sun sear, but it was nevertheless one of the most important periods in Swift\u2019s life. She won additional Grammys, proved her country-to-pop transition to be all but effortless, and learned when and how to fight for herself\u2014perhaps best in her 2017 case against the radio host David Mueller, whom she sued for groping her during her Red tour. Swift\u2019s reputation might\u2019ve taken a plunge after 1989, but she was already a master at comebacks. Major Songs:\u201cShake It Off\u201d\u201cBad Blood\u201d\u201cBlank Space\u201d\u201cStyle\u201d\u201cOut of the Woods\u201d\u201cWildest Dreams\u201dMajor Moments:Released her first true pop albumMoved to New York CityLaunched the 1989 World TourAssembled the so-called SquadWon additional Grammys, including Album of the YearRemoved her music (temporarily) from Spotify and Apple Music in protest of the platforms\u2019 royalty practicesSued David Mueller for sexual assaultFaced controversy with the release of Kanye West\u2019s \u201cFamous\u201dDated Calvin Harris, Tom Hiddleston, and Joe Alwyn Getty Images\/Leah RomeroReputation (2017)It was the best of times and the worst of times. A darker, moodier Swift returned from her exile with a new love and a new sound, one that was sexier, angrier, and more self-protective. Long gone was the wide-eyed girl on Fearless. \u201cShe\u2019s largely abandoned effervescence, wonderment, and narrative,\u201d as Pitchfork put it. \u201cSay goodbye to maple lattes and hello to whiskey on ice, to wine spilling in the bathtub, to Old Fashioneds mixed with a heavy hand.\u201d Not everyone appreciated this sharp, reclusive chapter in the Swift story at the time, but in hindsight it\u2019s difficult to imagine her career without it. While often lambasted as a cringey argument against her 1989-era \u201ccancellation,\u201d Reputation in fact revealed the most about this Swift 2.0 in its softer moments. \u201cDelicate,\u201d \u201cDress,\u201d and \u201cNew Year\u2019s Day\u201d spoke to a fluttery, fragile peace Swift had discovered within herself after falling from grace. Unlike the wild candor of her earlier albums, Reputation spoke to the sacred intimacy of a new relationship, one she\u2019d maintain to this day with the low-key actor Joe Alwyn. This Swift was battle-scarred, sure, but she was also stronger. Echoing the tongue-in-cheek ferocity of 1989\u2019s \u201cBlank Space,\u201d Swift swatted at the tropes so often hurled against her: that of the spoiled child, the promiscuous pop star, the drama queen, the hopeless romantic. And she cleverly snatched a motif thrust at her as an insult\u2014the treacherous snake\u2014by making it the symbol of her new era. Snake statues lined the stage on her Reputation tour, her skin dotted with serpentine jewelry as her wardrobe grew heavier, darker, but no less glittering. It was a form of armor, and it suited her well. Major Songs:\u201cLook What You Made Me Do\u201d\u201cEnd Game\u201d\u201cDelicate\u201d\u201cDress\u201d\u201cGetaway Car\u201d\u201c&#8230;Ready For It?\u201dMajor Moments:Wiped her social media accounts Became the most awarded female musician in American Music Awards historyLaunched Reputation Stadium TourReleased the Reputation concert film on Netflix Getty Images\/Leah RomeroLover (2019)Just as quickly as she\u2019d embraced the shrouded cape of Reputation, Swift shed the maroon lipstick for the bright, effervescent pink of the Lover era. This, perhaps, was Swift at her campiest\u2014and, depending on whom you ask, her most delightful. In the titular track of the star\u2019s seventh album, she swore to be \u201coverdramatic and true\u201d to her partner, a delicious promise both self-deprecating and self-indulgent, a line Swift can straddle like no other. The album did away with Reputation\u2019s edgy theatrics for bouncy synth-pop, full of upbeat riffs and swooning trills. (It was also the first album to feature anything resembling a political statement from Swift, through her pro-LGBTQ rights anthem \u201cYou Need To Calm Down.\u201d) She filled her closet with Stella McCartney, with pastel denim jackets and bubble-gum pink Gucci loafers, dip-dying the ends of her hair blue. What on the surface seemed superficial\u2014the rainbow explosions of the \u201cME!\u201d music video, for instance\u2014solidified into something real with the exacting rhythms of \u201cFalse God\u201d and \u201cCornelia Street.\u201d Swift was happy and in love, enjoying the longest and most private relationship of her life, one both she and Alwyn have continued to protect with religious attention to detail. She dropped a raw and revealing documentary, opening up about her struggles with disordered eating and her stance on politics, and appeared in the gleefully disastrous musical adaptation Cats. But away from the spotlight, she was strategizing for what The New York Times proclaimed \u201cThe Pop Music Civil War of 2019.\u201d After her record label Big Machine was purchased by Ithaca Holdings and the music manager Scooter Braun, giving them the rights to her old masters, Swift called the business deal her \u201cworst-case scenario\u201d and announced she would re-record her old albums. The move marked a departure in the long-accepted problematic practices of music ownership and distribution, and further solidified Swift\u2019s status as a formidable self-advocate.Major Songs:\u201cME!\u201d\u201cThe Man\u201d\u201cCruel Summer\u201d\u201cYou Need to Calm Down\u201d\u201cThe Archer\u201dMajor Moments:Went to bat with Ithaca Holdings and Scooter BraunReleased first album from her new deal with Universal Music Group and Republic RecordsAppeared in the film CatsReleased the Netflix documentary Miss Americana Getty Images\/Leah Romerofolklore (2020)After the COVID-19 pandemic shut down Swift\u2019s plans for a Lover tour, she retreated into isolation, from which she conjured the atmospheric, indie-adjacent folklore. Working with The National\u2019s Aaron Dessner, she dropped the album as a surprise during the lonely, agonized summer of 2020, delighting fans in such desperate need of the cathartic escapism the album offered. With the mood and intention of a grand reset, folklore is by far the most fictional of Swift\u2019s albums. But it is no less introspective than Swift\u2019s prior works\u2014a storybook portrait of Americana, nostalgia, and wanderlust, knitted together with Swift\u2019s breathy alto and melancholy chords. In \u201cthe last great american dynasty,\u201d \u201cmadwoman\u201d and \u201cmirrorball,\u201d her capacity for allegory and metaphor crystallized into something prismatic and powerful, proving once and for all that Swift could deliver a magnum opus from more than just her autobiography. This was also, notably, her first time collaborating with Alwyn, who penned a few lines under the pseudonym William Bowery. While largely unable to perform live due to pandemic restrictions, Swift worked her magic from afar, donning a summery cottagecore aesthetic of gingham and polos and lace, her bangs mussed and braid untidy. In black and white photos, she romped through forests and fields in chunky boots and spaghetti-strap dresses, forever self-mythologizing. When she announced on Instagram one November night that she had \u201cnot a lot going on at the moment,\u201d fans were smart enough not to believe a word.  Major Songs:\u201ccardigan\u201d\u201cthe last great american dynasty\u201d\u201cexile (feat. Bon Iver)\u201d\u201cmirrorball\u201d\u201caugust\u201d\u201cbetty\u201dMajor Moments:Dropped her first-ever surprise albumEndorsed Joe Biden for president during the 2020 election Getty Images\/Leah Romeroevermore (2020)Sure enough, Swift followed up folklore only a few months later with its wintery twin sister, evermore. Although the folklore and evermore \u201ceras\u201d are often treated as one, it\u2019s worth examining them as the separate experiences they presented in the drawn-out weeks of the pandemic\u2019s peak. After surprise-dropping evermore, Swift wrote on Instagram, \u201cIn the past I\u2019ve always treated albums as one-off eras and moved onto planning the next one after an album was released. There was something different with folklore. In making it, I felt less like I was departing and more like I was returning.\u201d evermore presented an opportunity for a longer stay inside her own mind, where her narratives could break free from the demands of the big-stage, big-money playbook. The result was another slow, soft, ethereal album, stuffed with hidden gems and made for chilly nights by the fireplace light. The record also marked another of Swift\u2019s turning points. If Reputation was penned in the grey area between self-defense and self-acceptance, and Lover in the rainbow haze of being adored, evermore evokes the fluid nature of selfhood itself. This Swift is more translucent, less up in arms, comfortable moving within the contours of her now-adult life. She is also more at peace with her history, and the country-inspired tracks on evermore reflect that maturity. Draped in long-sleeved floral maxi gowns, plaid wool coats and turtlenecks, her hair a muted dirty blonde, Swift won her third Album of the Year Grammy after announcing her first re-recorded albums were already on the way. Within months, both Fearless (Taylor\u2019s Version) and Red (Taylor\u2019s Version) hit shelves, revisiting the superstar\u2019s old sound with the wisdom and care learned from her folklore and evermore days.Major Songs:\u201cwillow\u201d\u201cno body, no crime (feat. HAIM)\u201d\u201cconey island (feat. The National)\u201d\u201cchampagne problems\u201dMajor Moments:Began re-recording and re-releasing her old albums with the addendum \u201cTaylor\u2019s Version\u201dWon her next GrammysDirected and released the music video for \u201cAll Too Well (10-Minute Version),\u201d starring Sadie Sink and Dylan O\u2019BrienReceived an honorary Doctor of Fine Arts degree from New York University, where she gave the 2022 commencement address Getty Images\/Leah RomeroMidnights (2022) Happily back in the pop seat but with the foundation of folklore and evermore beneath her feet, Swift returned with her tenth album Midnights in the fall of 2022. Inspired by 13 such witching hours throughout her 32 years, the album is a paradoxically futuristic retrospective, pairing producer Jack Antonoff\u2019s sonic indulgences with Swift\u2019s own musings on the past. Such territory has always proved fertile ground for the star, but as Lindsay Zoladz wrote in The New York Times, \u201cHere, Swift sounds more authentically like an ambassador of millennial unease than she has in some time.\u201d In Red, a whimsical Swift sang, \u201cWe could get married, have ten kids and teach \u2019em how to dream.\u201d Midnights takes a different stance, addressing the constant questions she and Alwyn receive about their engagement status: \u201cOnly kind of girl they see is a one night or a wife.\u201d With age and the time that comes with it, Swift views her position atop pop music\u2019s pinnacle with a new pragmatism, precious if not essential. Still, to call Swift a cynic might as well be sacrilege. She is just as calculating and as lovestruck as ever, toasting Alwyn with the nuanced bop \u201cLavender Haze\u201d and the relaxed ballad \u201cSweet Nothing.\u201d While done up in the aesthetics of the 1970s\u2014old Polaroids and disco glamour\u2014Midnights actually takes cues from every one of Swift\u2019s past albums, melting them into a brew potent enough to stand on its own. On the red carpet, Swift\u2019s outfitted herself in diamonds and stars, smart suits and eye-catching textures; at home, in cashmere and stripes. Much of the Midnights era still awaits us: A tour is certain, as are announcements of Swift\u2019s next re-recordings. All but assured is that the best is yet to come.Major Songs:\u201cAnti-Hero\u201d\u201cMidnight Rain\u201d\u201cBejeweled\u201d\u201cLavender Haze\u201d\u201cKarma\u201d\u201cYou\u2019re On Your Own, Kid\u201d\u201cWould\u2019ve Could\u2019ve Should\u2019ve\u201dMajor Moments:Lauren Puckett-Pope is an associate editor at ELLE, where she covers film, TV, books and fashion.\u00a0<br \/>\n<br \/>\n<!--noindex--><br \/>\n<a href=\"https:\/\/www.elle.com\/culture\/music\/a41726787\/taylor-swift-all-album-eras-aesthetics-explained\/\" rel=\"nofollow\">Source link <\/a><br \/>\n<!--\/noindex--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When did Taylor Swift become Taylor Swift? It\u2019s not an easy question to answer. Swift is the consummate skin-shedder, forever toeing the line between self-expression and self-creation. In this sense, she\u2019s also the consummate millennial: taught from youth to craft a persona, only for human emotion to blow it up. The difference is Swift, unlike [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14554,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-14553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti-shou-biznesa"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>All Taylor Swift&#039;s Albums&#039; Eras and Aesthetics, Explained - Selected News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/selectednews.info\/ru\/all-taylor-swifts-albums-eras-and-aesthetics-explained\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All Taylor Swift&#039;s Albums&#039; Eras and Aesthetics, Explained - Selected News\" \/>\n<meta property=\"og:description\" content=\"When did Taylor Swift become Taylor Swift? 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