Members of the Art Against Displacement protest outside a Manhattan court house in March when the group filed a lawsuit against the City of New York for the development of luxury housing in Two Bridges
Margaret Lee

The construction of four new luxury towers in Manhattan’s Two Bridges neighbourhood has prompted the group Art Against Displacement (AAD)—a coalition of dealers, artists and arts professionals who live or work in the area—to rally in support of several lawsuits that have been brought by local organisations, activists, residents and even the City Council Borough President against various departments of the City of New York, which green-lit the towers in 2017. Advocates from the AAD are protesting today at a Manhattan Supreme Court hearing regarding the towers, which are being built by developers JDS, CIM and L&M.

Along with the Chinese Staff and Workers Association and other grassroots organisations in the area, members of the AAD have actively lobbied against the towers, filing one of many lawsuits against the development on 23 March. They say the new developments would threaten several nearby senior housing units, put massive strain on the local environment and open up the area to more predatory rent-gouging and displacement. The lawsuits charge the city with violating zoning laws and environmental review processes in letting the developments move forward and it is these concerns that will be addressed in the court hearing.

At the forefront of the art community’s charge against the towers is Margaret Lee, an artist who cofounded AAD in 2017 and co-owns the local gallery 47 Canal; Heather Hubbs, executive director of NADA, the non-profit that supports dozens of galleries in the area; and Vanessa Thill, an artist who works with many of the Lower East Side and Chinatown galleries, among others.

Members of AAD acknowledge that the art world is in some ways an unlikely partner in the effort to curb gentrification, given the role galleries tend to play in that very process. But, says Thill, AAD is intent upon supporting neighbourhood residents—who often lack the same safety net that members of the art world enjoy—and working to amplify the efforts of groups like the Chinese Staff and Workers Association. They are also fighting to protect lower-income galleries in the area, many of which operate on a shoestring and constantly face threat of closure.

David Fierman, a dealer whose gallery is located across from One Manhattan Square, the recently built luxury behemoth developed by Extell in Two Bridges, says that adding four more towers to the neighbourhood is inconceivable. “Over 3,000 million-dollar apartments in this tiny neighbourhood with one subway stop and no infrastructure? I can’t imagine there being that many luxury units in this [here],” he says, adding that the area is one of the few places in Manhattan that feels “like a real place as opposed to an anonymous mall”.





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