Lefaucheux revolver which probably killed Van Gogh, now with AuctionArt Rémy le Fur & Associés
© Martin Bailey

As I picked up the rusted Lefaucheux revolver I was instantly struck how small and light it was. But cradling it in my hand, my mind quickly turned to Vincent van Gogh’s last moments as he pointed it towards his chest. The weapon is likely to have been the one he used to shoot himself in a wheatfield on the outskirts of Auvers-sur-Oise.

On Wednesday I travelled to Paris, to meet the auctioneers who are selling the gun on 19 June, AuctionArt Rémy le Fur & Associés. Rémy le Fur and his colleague Grégoire Veyrès brought out a small white box, opening the lid to display the Lefaucheux revolver resting in tissue paper.

The gun was severely corroded, which established that it had probably been buried at some point before the First World War. The wooden part of the grip was missing, presumably because it had long rotted away. The ejector rod, used for extracting cartridges, was bent. Tellingly, the safety trigger was unlocked, suggesting that it may have been fired shortly before it was abandoned.

Choosing his words carefully, le Fur says that it is probably the gun that Van Gogh used to kill himself, although it is unlikely we will ever be absolutely certain. The Van Gogh Museum believes “there is a strong possibility that he used it in his suicide attempt”.

Le Fur told me the story. In around 1960 a farmer dug up the gun while ploughing a field on the outskirts of the village of Auvers, which lies north of Paris. He gave the gun to the owners of the café where the artist had lodged in 1890, and it is a daughter who is now selling the weapon. She sees little point in continuing to keep the gun hidden in a box, and hence the sale.

But what light does the emergence of the gun shed on the vexed question of whether Van Gogh committed suicide? Two American biographers, Steven Naifeh and Gregory White Smith, argued in 2011 that the artist was murdered by a local lad. This view was also accepted in Julian Schnabel’s new film, At Eternity’s Gate. But virtually all other Van Gogh scholars are convinced that it was suicide.

If it had been murder, why would the gun have ended up in the field? The murderer would surely have hidden the weapon properly—perhaps burying it in thick undergrowth or even throwing it into the nearby River Oise, just a few minutes away—rather than simply abandoning it in a field. The fact that the gun was discovered by a farmer just inches below the ground in an open field is surely additional evidence that it was suicide.

After pulling the trigger, Van Gogh would have involuntarily dropped the weapon. The Lefaucheux is a small hunting gun, which helps to explain why it failed to kill the artist instantly. Severely wounded in the chest, but still able to walk, Vincent staggered back to the inn where he was lodging, which was just under a kilometre away. He survived for 36 hours, dying in the garret room with his brother Theo at his bedside.

Three days later Theo wrote an anguished letter to his wife Jo: “One of his last words was: this is how I wanted to go & it took a few moments & then it was over & he found the peace he hadn’t been able to find on earth.”

Martin Bailey is a leading Van Gogh specialist and investigative reporter for The Art Newspaper. Bailey has curated Van Gogh exhibitions at the Barbican Art Gallery and Compton Verney/National Gallery of Scotland; he is now co-curating Tate Britain’s The EY Exhibition: Van Gogh and Britain (27 March-11 August). He has written a number of other bestselling books, including Starry Night: Van Gogh at the Asylum, published by White Lion (available through Amazon in the UK and US), The Sunflowers are Mine: The Story of Van Gogh’s Masterpiece (Frances Lincoln 2013, available in the UK and US) and Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, available in the UK and US).

• To contact Martin Bailey, please email: vangogh@theartnewspaper.com

Read more from Martin’s Adventures with Van Gogh blog here.





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